Taking Stock

It was 2 years ago this month, sometime in the 3rd week of December as I recall, that I decided to try painting again. That first painting, which you can read about here, got me to pick up the brushes and start my journey back into art. It was a year ago in January that I started this blog. So I thought it was a good time to take stock of where I started and how far I’ve come.

I remember distinctly thinking, when I painted that first Triptych as a Christmas gift, that if it worked out I would keep painting, and if it was a disaster I could just go back to my photography hobby and graphic design to satisfy my creative itch. Here I am two years later spending more time painting and making a bigger commitment to improving, painting, and sharing what I learn as I go.

In January of this past year, when I started this blog, I set out to have long and short-term goals. I decided if I was going to be serious, I needed a plan. Part of any good plan is to review progress towards those goals.

So how have I done? In the banner above, and the larger montage below, you can see some of the paintings I’ve created over this past year. Most, not all, can also be seen on this site on my Paintings page. Along the way I’ve learned from many, through lessons, workshops, painting side-by-side with other artists, reading, and learning from anywhere I could. It takes time, and more time, to practice what I have learned, but I am quite happy with the results. Not only have I met goals this past year to display my work publicly, I have participated in plein air events, regional art shows, and hung my work in a number of public settings. I have sold work, developed this website, created a youtube channel and posted videos, created a Facebook page, and an e-newsletter. I have painted a lot, made lots of new friends at the Essex Art League, met new artists, learned more than I anticipated, and had a ton of fun.

Where I have fallen short of goals is mostly in getting myself out there. I need to work on expanding my email newsletter list, and I need to post more often, both here and on Facebook. I need to polish my video and editing skills, and post more to youtube. And I need to practice more, draw more, paint more, learn more and find new outlets for showing my work.

Its been a great two years. I’ve been bitten by the painting bug. I will be revising my plan, updating my goals, and working harder on my craft. Look for a future post on planning and committing to my art. I’m thankful you’ve found this blog, and invite you to share it along with my Facebook page and YouTube Channel with anyone you think may be interested.

taking-stock

Mixing Color Values Exercise

Colors can really affect one’s perception of values when painting. And mixing colors to match values, especially in acrylics where colors dry darker, can be intimidating – especially when you are just starting out. This is one of the challenges when first starting to paint, learning about values, and then learning how to both assess and mix different color values without a lot of trial and error and re-painting.

There aren’t a lot of exercises on directly mixing values. Most information out there tends to be about the use of a 9-value scale (or 13 or some other number) that you can use to assess values, but not much is out there about how to practice reading and then mixing different values using different colors.

So I decided to put my own exercise together. My criteria where that it had to be quick to do and easy to assess.

What I put together is a simple little exercise that anyone can use both to strengthen their ability to read and mix values in different colors, but also as a simple warmup they can do each time they sit down at the easel to get in the proper mindset. Both the exercise and the setup is simple.

In addition to this blog post, with instructions below, I put this exercise into a youtube video as well. You can view it on my channel here: Value Exercise

Continue reading “Mixing Color Values Exercise”

Put Yourself Out There!

When you first start painting its easy to never feel you are ready to share your art. You tell yourself “I’m not good enough”, “I don’t have enough experience”, “I can’t compete”, or “I don’t know what to do to get my stuff in front of people”.

Its easy, and understandable, to be hesitant, self-conscious, even insecure (if we are being honest.) After all, you know you still have so much to learn, and that your work doesn’t yet live up to your standards. Well guess what. It probably never will. The pursuit of art is a lifelong pursuit. There is always more to learn, more to master, new techniques, changing interests, etc. etc. etc. Artists are never satisfied.

If you wait until you are “ready” you run the very real risk that you never take that step. You never reach the level where you are comfortable going public. I’m here to tell you – do it anyway.

If you think your “art” is not ready, or not good enough. You are not alone. From what I can tell every artist, regardless of experience or skill, feels that way to some degree. Don’t believe me? Artists as famous as Claude Monet destroyed many, many paintings he felt were not worthy. Perhaps they were not worthy when measured against his own high standards, but do you doubt for a moment that any one of those destroyed paintings would today fetch millions in the art market? Or be coveted by those that appreciate fine art?

So don’t wait. Take that step. If for no other reason than you can’t pile them up in the basement any more, and you have no more family members and friends you can give them away to.

I’m going to give you a bunch of suggestions of how you can get your stuff out there below, but before I do here is one more example of why you should not wait until you think you are ready (or good enough or whatever). You can skip it if you want, its the piece in italics below. Continue reading “Put Yourself Out There!”

Plein Air – Redux

Last week I posted about painting “en plein air”, in anticipation of this weekend’s Jericho Plein Air Festival. I returned to the same spot as last weekend. The idea was to see how I do painting the same scene – learning from the first effort and trying to improve.

The festival brought in 75 artists, watercolorists, oil painters, and those using acrylics like me. After an early morning gathering for food and coffee and a group meeting we all headed off to our preferred spots. There were a couple dozen options for painting and only 3 of us ended up at the Beaver Pond in the morning to paint. The weather was beautiful, but there was no shade so by late morning it was pretty hot in the sun. At the end of the day, returning to the gallery to frame our work, we had Ben & Jerry’s ice cream waiting, the perfect ending to a hot day.

I spent a couple hours painting the same scene I painted last week. And overall I feel like I did make a number of improvements, and this painting is much stronger than my first attempt.  The great thing about this festival is each person gets to hang one painting from the day at the Gruppe Gallery in Jericho. Its a nice touch to the event being able to go see everyone’s work and for others, and the public, to see yours.

Below is the painting I did today. One of 2 paintings actually, I did another small painting in the afternoon as well but it was a quick small painting.

Continue reading “Plein Air – Redux”

Taking the “en plein air” plunge

I’ve done it. I’ve taken to painting outdoors, with all its pitfalls and rewards. So I thought I’d share my experience as it evolves.

Painting “en plien air” (or “in the open air”) has a long history, most notably being the method preferred by the impressionists. It has its challenges and its rewards. This summer I have taken the “plien air” plunge and decided to give this method of painting a run. Early results are not so good, but I’m determined to stick with it and see where it takes me.

A little history. Prior to the mid-19th century it was difficult to paint out of doors with all the equipment necessary, but the introduction of paint in tubes and the box easel (portable) made it much easier to carry paint and equipment with you outside to paint on-site. This dovetailed nicely with the rise of impressionists like Monet, Pissaro and Renoir who believed in capturing real-life and “painting the light” outdoors. I won’t bore you with more history other than to say painting “en plein air” became very important to impressionist painting and changed how the world looked at art.

For me, the attraction of painting outdoors is that you truly can not capture a scene with a camera or memory, or the light and the colors, as well as when you are standing there at your easel looking at your subject. Being outdoors by itself is great, most of the time. And there is something romantic about painting a picture all in one session right there on the spot. Its not necessary to complete a painting in one session, Monet famously would take several canvases with him and paint on each for only a few minutes at the same time of day, returning each day so as to capture that exact light and time of day. But it is common practice for many to paint in a single session. And there are plenty of very accomplished and successful artists who will only paint this way, outdoors, rain, shine, summer or winter.

So I have painted this way now a total of 5 times. The results of which are 5 paintings that are not worth displaying. But I’ll share this last effort and what I have been learning for a couple of reasons. One, its worth showing and talking about the challenges as a learning tool. Two, it will be good to gauge my progress as I paint outdoors more and more. And three, since I will be participating in two “plein air” festivals in the coming weeks, and taking a weekend workshop in August which will be mostly outdoor painting, its good to think about the experience so far and plan for what I need to improve on.

Continue reading “Taking the “en plein air” plunge”