I recently received a question on how I painted some trees in the painting you see below. So I thought I would walk through this painting to illustrate how I went about getting the luminous quality of the backlit tree which is the focal point.
To start with, since the whole purpose of the painting was to capture that moment when light hits this group of trees creating a backlit glow, I thought about how best to capture that effect using paint. The three things I knew would help in this were the concept of simultaneous contrast (the effects of two colors next to each other), contrast (light and dark) and saturation.
But before working out those details I knew I wanted to start with a colored ground for my canvas, using a color that would enhance the vividness of the orange tree. So I chose to cover my canvas with a combination of Cadmium Red Light and Burnet Umber. I could have chosen to use Yellow Ochre, but I wanted the red ground to add some energy to the hills and greens so I went with this choice. I knew the orange/yellows on top would pick up some of the undying redness and energy of the ground anywhere it peaked through and would maintain its brightness on top of it. Continue reading “Painting Luminous Trees”